Being the fourth theatrically-released installment in the AP series of films I didn't expect much. But it made me laugh in some places a...
American Reunion - not a grand comeback
Overall it is the eight film in the series if you include the 4 straight-to-DVDs that weren't all bad. Two of them (Naked Mile and Beta House) being better than this flick.
Unlike its the last part where much critisism was made over several characters not to have reprised their roles. AR does not make that mistake and features original characters in interesting scenes bringing back memories of the first two theatrically-released parts (that sucked). The four best friends are readying up for their high school reunion whilst also bumping into the original Stifler in the way. Sean William Scott proves that he is the epitome of Stifmeister by his latest performance. And as my fav. top critic Roger Ebert noted that the film wouldn't have been as funny if it were without Scott. It would've been nothing without him.
For starters, the film relies on the same generic sex-humour formula and although the hard-written parts are notable the others were too repetitive. Hell, they were worse than those from the limited-released features. AR also fails to entertain in the last 30 minutes where a typical American Pie movie would do so much better in balancing funny, sex and emotion.
Fortunately, there are pros too. The formula does have high-octane parts. The first scene is the best, in my opinion, than any other in the franchise. Sean W. Scott stars as an example that some would only watch AR because of him. Also, there is Eugene Levy who is legendary for starring in all 8 APs who plays Jim's Dad and does it to perfection - as always. Dialogues are only few that are laughter-inducing most from the previously mentioned characters. And the sex-humour is not overdone as in most comedies of this type.
In the end, American Reunion is definitely not a must-watch. It may please AP fans and some might even love it but as a non-fan I was unimpressed. Still if you wish to pass the time with some nude jokes and reminiscence of high school buddies' reunions give this one a watch. That is, a one-time one.
IMDB: 7.1/10.
RT:
BO101: 2.5/4.
The Hunger Games set a new US record for best opening with $153m off a budget of just $78m. It also made the largest worldwide opening for a...
The Hunger Games review
1 N The Expendables 2 LGF $28,591,370 - 3,316 - $8,622 $28,591,370 - 1 2 1 The Bourne Legacy Uni. $17,057,385 -55.3% 3,753 +8 $4,545 $69,6...
The Expendables 2's on top
1 | N | The Expendables 2 | LGF | $28,591,370 | - | 3,316 | - | $8,622 | $28,591,370 | - | 1 |
2 | 1 | The Bourne Legacy | Uni. | $17,057,385 | -55.3% | 3,753 | +8 | $4,545 | $69,618,465 | $125 | 2 |
3 | N | ParaNorman | Focus | $14,087,050 | - | 3,429 | - | $4,108 | $14,087,050 | - | 1 |
4 | 2 | The Campaign | WB | $13,127,289 | -50.6% | 3,255 | +50 | $4,033 | $51,435,826 | - | 2 |
5 | N | Sparkle (2012) | TriS | $11,643,342 | - | 2,244 | - | $5,189 | $11,643,342 | $14 | 1 |
6 | 3 | The Dark Knight Rises | WB | $11,011,349 | -42.0% | 3,157 | -533 | $3,488 | $409,787,260 | $250 | 5 |
7 | N | The Odd Life of Timothy Green | BV | $10,822,903 | - | 2,598 | - | $4,166 | $15,100,918 | - | 1 |
8 | 4 | Hope Springs | Sony | $9,111,529 | -37.8% | 2,361 | - | $3,859 | $35,063,321 | - | 2 |
9 | 6 | Diary of a Wimpy Kid: Dog Days | Fox | $3,834,737 | -52.1% | 2,737 | -664 | $1,401 | $38,747,058 | $22 | 3 |
10 | 5 | Total Recall (2012) | Sony | $3,472,829 | -56.7% | 2,434 | -1,167 | $1,427 | $51,755,272 | $125 | 3 |
TW LW Title (click to view) Studio Weekend Gross % Change Theater Count / Change Average Total Gross Budget* Week # 1 N The Bourne Legacy...
US box office August 10-12 weekend
TW | LW | Title (click to view) | Studio | Weekend Gross | % Change | Theater Count /Change | Average | Total Gross | Budget* | Week # | |
1 | N | The Bourne Legacy | Uni. | $38,142,825 | - | 3,745 | - | $10,185 | $38,142,825 | $125 | 1 |
2 | N | The Campaign | WB | $26,588,460 | - | 3,205 | - | $8,296 | $26,588,460 | - | 1 |
3 | 1 | The Dark Knight Rises | WB | $18,979,397 | -46.9% | 3,690 | -552 | $5,143 | $389,588,216 | $250 | 4 |
4 | N | Hope Springs | Sony | $14,650,121 | - | 2,361 | - | $6,205 | $19,103,178 | - | 1 |
5 | 2 | Total Recall (2012) | Sony | $8,013,040 | -68.7% | 3,601 | - | $2,225 | $44,101,432 | $125 | 2 |
6 | 3 | Diary of a Wimpy Kid: Dog Days | Fox | $8,002,166 | -45.3% | 3,398 | +7 | $2,355 | $30,356,174 | $22 | 2 |
7 | 4 | Ice Age: Continental Drift | Fox | $6,380,929 | -25.9% | 3,102 | -440 | $2,057 | $143,694,981 | - | 5 |
8 | 7 | Ted | Uni. | $3,223,675 | -42.9% | 2,208 | -559 | $1,460 | $209,848,585 | $50 | 7 |
9 | 6 | Step Up Revolution | Sum. | $2,941,818 | -50.4% | 1,898 | -708 | $1,550 | $30,256,580 | $33 | 3 |
10 | 5 | The Watch | Fox | $2,221,451 | -66.0% | 2,461 | -707 | $903 | $31,396,079 | $68 | 3 |
I haven't seen any of the previous Bourne films as I'm not a big spy-film fan. This is mainly due to the fact of my hatred for the first 3 MI movies. The Bourne Legacy is based on the fourth novel written by Eric Van Lustbader in the series which Robert Ludlum created. Lustbader has written 6 more and I won't be surprised if Universal decided to make at least 3 sequels.
The Bourne Ultimatum starring H-wood hunk Matt Damon was released in 2007 and Legacy shows that the legacy continues (pun intended). A favorite of mine Edward Norton is also included.
Opening at second this week is veteran comedian and one of my favourites Will Ferrell's The Campaign. It's no surprise it took over the 2nd spot as Zach Galifianakis (The Hangover, The Hangover 2) also stars. So that star power was enough to shove The Dark Knight Rises off the top shelf after only 3 weeks. Even The Hunger Games lasted more weeks at the top spot.
Another point to note is the negativity of cinema-goers to Dark Knight 2 because of the Colorado mass murder. This effected other countries, such as Paris, to shut down some theatres. Hopefully, the August 16 release in the middle east will allow Batman to get an even higher number overseas. It is still on top on the global market with $445m and is also yet to debut in well-populated China and Italy.
On 4th is Hope Springs a rom-com starring veteran thespians Meryl Streep, Tommy Lee Jones and famous US comedian Steven Carell. It is likely to match its $30m budget next week (with foreign gross rates).
The Amazing Spider-Man left the top 10 after 6 weeks. It has made $255m in the States off a $230m budget but has performed wonders in non-domestic areas.
The Watch has flopped in USA and will definitely exit next week. Ironically, the 2 comedies this weekend are bound to recover their budgets. This flick should've been released in September...
Now for the biggie: Ted, an R-rated comedy, has not only grossed $209m domestically off of just $50m, but is on the second spot overseas. It had the greatest opening for an 18+ comedy in Russia. This proves Mark Wahlberg who starred in 2010's laughter-house The Other Guys is a profitable comedy actor. Ukrainian-American beauty Mila Kunis also proves her financial ability. The two starred in 2008's Max Payne together.
Total Recall is doing very bad in USA and although foreign debuts await, the film might not even enough to cover its $125m budget. It is an outright flop the domestic arena already. The 1990 version, which this film is a remake of, made $261m off $60m but seems Collin Farell isn't marketable as an action hero as Arnold Schwarzenegger was and still might be (The Expendables 2)
That's all from me me folks. See you next week to discuss the August 17 debut of The Expendables 2 with an ensemble cast too long to mention until later on.
(Chart by Box Office Mojo)
As if Transformers: Dark of the Moon wasn't enough, Universal thought to release an alien-robotic feature this year. Now after watching ...
Battleship - almost sunk!
B-ship is directed by Peter Berg (The Rundown, Hancock) and yes those two films I mentioned are in the list of my favourties. Written by brothers Jon Hoeber and Erich Hoeber the film bombed in the US only making $65m off a megabudget of $209m. Luckily for the studio the worldwide amount of CGI lovers saved Battleship from sinking and at the end of its universal theatrical run, the cumulative was $302m.
Firstly, I personally liked Transformers 1 and the third part. The 2nd uniquely title Revenge of the Fallen was only reasonable to watch if you had a thing for Megan Fox. Sadly, the box office numbers of that flick confirmed that assumption. Battleship starts off as almost every American-government-knowing-about-aliens does. I blame Steven Spielberg. I mean I don't understand why new-age sci-fi films lack originality. John Carpenter's The Thing packed more sense than this senseless package even though it was a mystery. Heck, any screenwriter could've come up with this story: a group of aliens invade the earth and the only hope is the friggin' Navy!
Battle Los Angeles (2011) was focused on land military troops verses the outerworld. Surprisingly, it was worse than this one. Next year there might be an action flick with the airforce taking a stand against the invader title Battle E.T.
Even when the movie tries to make sense of events it fails! Instead of drawing in the audience it gives them a headache instead of a climax. Sometimes I wonder how the American govt. can drain a dozen countries of oil and yet be unprepared for an outer space attack.
For the pros the action, although highly disorientated, is good. The way the battle takes place on sea and the Navy use water-based warfare tactics to defend the home planet is admirably scripted. Acting is average but if Liam Neeson was given the lead role he would've outshined the rest of the cast immediately. Characters are not so well-developed but lovable. Action loves who prefer the latest graphics will come to adore this one. And yes it is a thrilling adrenaline-packed ride from start to finish. What you see (in the trailer) is what you get.
Finally, B-ship relies 80% of its screentime on CGI. It could've just converted the whole movie into CGI like the Final Fantasy series. B-ship is good for a single-time watch. And for CGI lovers, it's durable for a second. For the critically-minded, it's plain time-pass. Battleship stars Alexander Skarsgard, Taylor Kitsch, Brooklyn Decker and Tadanobu Asano. Pop singer Rihanna also has a prominent role as a tough Navy girl and she acted quite well. Given that she suited the role so much...
IMDB: 6.1/10.
Rotten Tomatoes: 33%.
BO101: 2/4.
Heard so much about this film that I was actually afraid it would turn out bad due to the hype. Yet it surprised me that such a racist ventu...
The Dictator - Comedy of the Year
The Raven is a fictional account of the last days of American writer/poet Edgar Allan Poe's life. And after watching this movie you won&...
The Raven review
The Raven made a little above $22m below its budget of $26m worldwide. But it should've grossed more given that it is one of the four mainstream horror features to be released this year, and a decent one. Directed by James McTeigue (V for Vendetta, Ninja Assassin), and written by Ben Livingston along with Hannah Shakespeare. Poe's life couldn't be more action-orientated than depicted.
Sure there are good points to swallow before realising you ate that whole bag of popcorn at half-time. It starts quite well and mysteriously. Detective Fields played by Luke Evans is a fun character and has enough charm to convince the audience that he can convince an egoistic author to aid in a murder investigation. But seriously, if there was Sherlock Holmes he would've solved the case in the first hour. The film follows Poe aiding in a murder investigation (as already mentioned) in which the killer is copying killings depicted in the respective story-teller's tales.
Apart from John Cusack (Poe) and Luke Evans, British blonde Alice Eve plays Poe's love interest. She's OK at it. Dialogues are literary as expected and dialogue delivery especially by Cusack is top notch. Also, the atmosphere is so stunning and with such finely tuned atmosphere that it is worth praise. Direction is praise-worthy as McTeigue made his two previous films so wonderfully gruesome.
The main core of the problem is the screenwriting. After the first hour, the film becomes a bit too predictable. Huge number of plotholes that I cannot mention seem to have been blindly added by the script-writers. Another point to mention is that better policework should've been included in Baltimore in the mid-1800s as shown in the film.
All in all, The Raven is an above average thriller with a few action scenes to keep the adrenaline pumping, or in this case, start up the tempo. After reading the plot mystery fans would be highly interested to see this but I was disappointed. Seems the movie could not balance action and mystery as well as the first 21st century Sherlock Holmes film did. The Raven could've earned more if Cusack was a brand name like Nicolas Cage (in his golden box-office days). Sadly, after starring in well-known movies such as 2012 and 1408 - both in which he plays authors - this film couldn't double its budget.
IMDB: 6.4/10.
Rotten Tomatoes: 56%.
BO101: 2.5/4.